What’s on @ JILL (JACK RENTALS)
Please Note: This calendar showcases events hosted by artists, organizations, and community members who rent our space. While these events are not part of JACK’s curated programming, we’re thrilled to support the creativity and energy that fills our venue. From rehearsals to performances, community gatherings to private celebrations, JILL (JACK Rentals) provide an affordable and flexible home for diverse events in Clinton Hill. We encourage you to explore, attend, and celebrate the incredible work happening here!
Want to rent our space for your next event?
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
BULL
TICKETS HERE
STRICTLY LIMITED RUN: SEPT 19 - OCT 4
In this blistering look into the vicious world of workplace relationships, three employees face imminent layoffs and a simple truth: two will stay, one will go. From celebrated playwright Mike Bartlett (Broadway and West End's King Charles III; Cock; Love, Love, Love) comes the intimate theatrical event of the season: sixteen performances, fifty audience members, four actors, one room.
Starring Kerstin Anderson (Eliza Dolittle in Lincoln Center's My Fair Lady; Maria in The Sound of Music National Tour), Miles G. Jackson (A24's "A Different Man," "Problemista"), Alexander Pobutsky ("American Fiction;" "Justified: City Primeval" on FX/Hulu), and Paco Tolson (Lucille Lortel Nominee for Manhattan Theatre Club's Vietgone).
Directed by Max Hunter ( [title of show] at the Brooklyn Navy Yard; Producing Artistic Director of The Bridge Production Group)
Scenic Design by Thomas Jenkeleit / Lighting Design by Cheyenne Sykes / Costume Design by Amanda Roberge
JACK is located at 20 Putnam Avenue, conveniently off the C and G trains at Clinton-Washington -- or -- a short twenty-minute walk from the Atlantic Ave/Barclays Station (B, D, N, Q, R, 2, 3, 4, 5 trains).
Please arrive with time to spare (and relax); due to the unique physical layout of the production, there will be NO LATE SEATING.
Run Time: 75 minutes, no intermission.
****
REVIEWS FOR MIKE BARTLETT'S BULL --
A modern morality—or amorality—play that keeps its adrenaline level high and, at the very end, raises it off the charts.” — The New York Times.
“Bartlett applies his down-and-dirty, black-humored and trenchant approach to the concept of business employment as survival of the fittest…the play is like a protracted death scene among a group of wild animals, with the strong ones—a pair of smartly-dressed, smirking thugs—mercilessly circling and taunting the weak until it’s time to deliver the inevitable fatal blows.” — Associated Press.
“Fast-paced, fanged and darkly funny…BULL charges and makes impact.” — New York Daily News.
“Vicious comedy…astonishing.” — Time Out New York.
Studio Apartment
TICKETS HERE
Show Info Here
Monty has settled into a life as a live-in portrait model for the eccentric painter, Dave. It is Kansas City, 1995, and while there is probably somewhere better to be, here is tolerable enough. Dave has brought home Gabe, a new roommate for Monty, without warning. While Monty reengages with the outside world now located inside the safe walls of Dave’s studio, Gabe starts to peel away at the things that have kept Monty isolated for so long. In an endurance test for the ages, Monty and Gave see how long they can spend every minute together play-acting the erotic for Dave before they trauma bond or fall for one another.
Studio Apartment
TICKETS HERE
Show Info Here
Monty has settled into a life as a live-in portrait model for the eccentric painter, Dave. It is Kansas City, 1995, and while there is probably somewhere better to be, here is tolerable enough. Dave has brought home Gabe, a new roommate for Monty, without warning. While Monty reengages with the outside world now located inside the safe walls of Dave’s studio, Gabe starts to peel away at the things that have kept Monty isolated for so long. In an endurance test for the ages, Monty and Gave see how long they can spend every minute together play-acting the erotic for Dave before they trauma bond or fall for one another.
Studio Apartment
TICKETS HERE
Show Info Here
Monty has settled into a life as a live-in portrait model for the eccentric painter, Dave. It is Kansas City, 1995, and while there is probably somewhere better to be, here is tolerable enough. Dave has brought home Gabe, a new roommate for Monty, without warning. While Monty reengages with the outside world now located inside the safe walls of Dave’s studio, Gabe starts to peel away at the things that have kept Monty isolated for so long. In an endurance test for the ages, Monty and Gave see how long they can spend every minute together play-acting the erotic for Dave before they trauma bond or fall for one another.
Studio Apartment
TICKETS HERE
Show Info Here
Monty has settled into a life as a live-in portrait model for the eccentric painter, Dave. It is Kansas City, 1995, and while there is probably somewhere better to be, here is tolerable enough. Dave has brought home Gabe, a new roommate for Monty, without warning. While Monty reengages with the outside world now located inside the safe walls of Dave’s studio, Gabe starts to peel away at the things that have kept Monty isolated for so long. In an endurance test for the ages, Monty and Gave see how long they can spend every minute together play-acting the erotic for Dave before they trauma bond or fall for one another.
Studio Apartment
TICKETS HERE
Show Info Here
Monty has settled into a life as a live-in portrait model for the eccentric painter, Dave. It is Kansas City, 1995, and while there is probably somewhere better to be, here is tolerable enough. Dave has brought home Gabe, a new roommate for Monty, without warning. While Monty reengages with the outside world now located inside the safe walls of Dave’s studio, Gabe starts to peel away at the things that have kept Monty isolated for so long. In an endurance test for the ages, Monty and Gave see how long they can spend every minute together play-acting the erotic for Dave before they trauma bond or fall for one another.
Studio Apartment
TICKETS HERE
Show Info Here
Monty has settled into a life as a live-in portrait model for the eccentric painter, Dave. It is Kansas City, 1995, and while there is probably somewhere better to be, here is tolerable enough. Dave has brought home Gabe, a new roommate for Monty, without warning. While Monty reengages with the outside world now located inside the safe walls of Dave’s studio, Gabe starts to peel away at the things that have kept Monty isolated for so long. In an endurance test for the ages, Monty and Gave see how long they can spend every minute together play-acting the erotic for Dave before they trauma bond or fall for one another.
Graduation Ball
TICKETS HERE
Graduation Ball is a dark, satirical tale that unfolds in the moments between ballet classes at a prestigious pre-professional dance academy. In dressing rooms, bathrooms, and the dead of night, three students—a hot-headed revolutionary, her impressionable boyfriend, and the new strait-laced ballerina—are plotting a coup against the authoritarian regime that runs their studio.
Graduation Ball
TICKETS HERE
Graduation Ball is a dark, satirical tale that unfolds in the moments between ballet classes at a prestigious pre-professional dance academy. In dressing rooms, bathrooms, and the dead of night, three students—a hot-headed revolutionary, her impressionable boyfriend, and the new strait-laced ballerina—are plotting a coup against the authoritarian regime that runs their studio.
Graduation Ball
TICKETS HERE
Graduation Ball is a dark, satirical tale that unfolds in the moments between ballet classes at a prestigious pre-professional dance academy. In dressing rooms, bathrooms, and the dead of night, three students—a hot-headed revolutionary, her impressionable boyfriend, and the new strait-laced ballerina—are plotting a coup against the authoritarian regime that runs their studio.